The reason I think Trick Trick possibly threatened Eminem and Royce to be on this track is inconsequential. But let’s just recognize that they don’t belong on a twerking song with him, that their verses sound like they were applied without knowing what the beat was and that Trick Trick only fits with these lyrical giants geographically and not in terms of talent. Anyway, twerk that, pop that after the jump.
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Full Lyrics Here, courtesy RapGenius.

praise White Jesus! finally! i’m elated to see that marshall mathers is using affirmative action in the way it was intended: to give white men the voice they had long been denied in American History. it espouses a sense of ultimate relief that things are right with the world, flowers can bloom again, and hip-hop does make sense.
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With MMLP2′s release to an adoring public, even as it earned uneven marks, Eminem’s perceived maturity has emerged as a red herring in terms of ways to evaluate this clumsily-conceived sequel. Like many of Hollywood’s clunkers, it is necessarily weighed against and down by the success of the first.
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