By: Starrene Rhett
Tony “Tum Tum” Richardson may still carry his childhood nickname given by his grandmother, but don’t let the name fool you. The Dallas, Texas native has released his album Eat or Get Ate, the effort that has gotten him attention from eyes an ears beyond Dallas. The album’s anthem, “Caprice Muzik,” has cast him into the big leagues and he’s ready to put Dallas on the map.
When people think of Texas in relation to Hip-Hop, they think of Houston. However, Tum Tum wants everyone to know that beyond the signature chopped and screwed sound that Houston has made so popular, the Dallas sound is also a force that he’s about to unleash.
Hiphopcrack: Tum Tum is a childhood nickname that you got from your grandmother, right?
Tum Tum: Yeah.
Hiphopcrack: Why did you decide to hold on to the name, as you got older?
TT: Cuz that’s my name…my grandparents spot was where everybody gathered and stuff and she would come in the room and call me Tum Tum and all my homeboys started laughing at me but I don’t care so I just kept rolling with it like that.
Hiphopcrack: Besides your name, what do you bring to the game that’s different?
TT: Right now, I just feel like it’s a little watered down. People ain’t putting out complete albums, they’re just worried about the single. Me, I put no thought on the single and work hard on the other parts of the album, making sure it sounds legit where people ain’t gotta skip through. I’m still the same at the end of the day too. Every Tuesday I go to Best Buy and pick up CDs and I’ve been let down a whole lot lately [laughing].
Hiphopcrack: [laughing] I understand…
TT: So that was the main point, just putting out a complete point that everybody can everybody can jam from one to 19. I put 19 jams on there.
Hiphopcrack: You started out on the mixtape circuit so how important is that to what you do?
TT: The mixtape circuit in Hip-Hop is real, real important because labels be more concerned about other things besides Hip-Hop so we gotta keep the streets there and do the mixtapes — do the verses – that’s why I do it, because I know the labels gotta wait until singles got this many this, this doing that, and the set up is just right…fans ain’t really worried about all that, they want to hear something new, so that’s why I do a lot of mixtapes.
Hiphopcrack: You didn’t really take rapping seriously until you witnessed the Hard Knock Life Tour. What about that tour, or what about Jay-Z or any other artist on that tour got your attention to where you wanted to do this for real?
TT: I was always with Jay-Z but to go somewhere and see 45,000 people with the same opinion that I got and everybody was screaming for him…that right there just made me be like, “Man, I want to do that.” But being from where you from and reaching other areas like, everybody is like, “Them dudes from Dallas,” I just wanted to show everybody what Dallas was like without them coming here — like what Dre and them did with LA, or even Nelly with St. Louis.
Hiphopcrack: You mentioned being a Jay fan so being that you’re from Texas, how was it when Jay-Z teamed up with UGK for “Big Pimpin?”
TT: Them the homies right there [UGK]. That really solidified Jay down here. When I was in school, I’d be like Jay is dope but a lot of cats was like, “Nah, man, he ain’t all that,” but when he got Pimp (Pimp C) and all of them on the record, it made people down here pay attention to him.
Hiphopcrack: I can imagine that you’re inspired by UGK as well. Is that the case?
TT: Oh yeah, them dudes cool. I like Pimp, not even his music…I like him because he’s a real dude. He say whatever the f – - k he wants to say, and tell it like it is. That’s why I like Pimp. Them dudes are OGs, they tell us what’s good, what’s going on and they really look out for us by telling us the labels are gonna do this or aint gonna do that, do it yourself so yeah, them the big homies.
Hiphopcrack: Who are some of the other people you look up to in the rap game?
TT: The industry game…I’m cool with Slim [Slim Thug], that’s my motherf – - king dude, Paul Wall, that’s my pahtna, E-40, that’s my dude, Shop Boyz, them my dudes [laughs]…I mess with a whole lot of people, my homeboy Trae, that’s my dude right there too. I got a lot of homeboys in there.
Hiphopcrack: Being that you’re just starting to get your name out there, beyond Texas, how do you plan to solidify your place in the game?
TT: I’m just gonna let my actions speak louder than words. I got videos coming out. I got two movies that I’m paying for out my own pocket…just to get the buzz to keep going. I got mixtapes still coming out, so I just want to solidify my place in the game as that dude that put Dallas on the map, made them see what Dallas is like.
Hiphopcrack: So you have two movies coming out, are they documentaries about you as an artist?
TT: Yeah it’s like a documentary. We’re showing everybody where I live, the clothes I got, how I get down, a couple of shows, me in the studio, me and my homeboys, and me on the road shutting down these shows.
Hiphopcrack: Texas has been on the map for a while, but what is it about artists that come out of Texas or the Texas sound that makes it have such a stronghold on the game right now?
TT: I guess it’s just time for some new cats to come through and do something different. If you listen, everybody got a little screw in somewhere…everybody just needs a new sound. To tell you the truth, that’s why I think my homeboys, Shop Boyz are doing what they do. It’s different.
Hiphopcrack: Let’s talk about your album, Eat or Get Ate. What can people expect?
TT: A real different sound. If you heard my single, “Caprice Muzik,” I know it don’t sound like no other beat or what no other rappers have right now, so they can just expect a lot of left field from me. I’m just doing something different because I’m even tired of hearing the same ol’ crap on the radio.
Hiphopcrack: What producers do you have on your album, and what artists did you work with?
TT: I worked with Jim Jones, my homeboy Trae from Texas – them the only two features I got on there. Production, that’s what I like. I got PIT, the one who did that “Party Like a Rockstar” I got Play N Skillz on there, they did “Ridin’ Dirty” for Chamillionaire, I got Scott Storch and I got a lot of Dallas producers on there as well.
Hiphopcrack: You worked with Jim Jones. What was it like getting Harlem and Dallas together on a track?
TT: I think we got the same swagger. A lot of people say that I act like I’m from New York. They say I’m a little bit too straightforward and cocky like New York niggas but that sonng — me working with Jimmy — that song came out real dope.
Hiphopcrack: Is there anyone that you haven’t worked with that you’d like to work with?
TT: I want to work with 50 Cent.
Hiphopcrack: You put that out there now so who knows, it might happen.
TT: Yeah.
Hiphopcrack: Where do you see yourself in the next five years?
TT: Doing it big! I want the city [Dallas] to be known in five years as one of the next Hip-Hop meccas like Houston was, like Atlanta was, New York was, the West Coast…you know what I’m sayin? Like that…
Hiphopcrack: Your goal is to put Dallas on the map but is there a difference in sound between Dallas and Houston?
TT: Oh yeah, you can ask anybody that. Their stuff is a little bit more slowed down, more chopped and screwed and ours is a little bit more amped up than them. They like their stuff super slow and everybody just be chillin. With Dallas, it gotta be amped up and everybody going crazy
Hiphopcrack: Any last words?
TT: Just check out my Crackspace page: ihiphop.com/tumtum.