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Future is on a roll, if you haven’t already taken notice. As of late, however, he’s been throwing away some visuals and here he’s dropping off another one. “Wesley Presley” appeared on Future’s excellent 2014 mixtape, Monster, and frankly I’m fiending for some new Fwetch stuff soon! In the meantime these visuals for “Wesley Presley” are A-ok with me.

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Rae Sremmurd is sharing their latest visuals for another SremmLife cut in “This Could Be Us.” So far they’ve shared “No Flex Zone,” “No Type,” and “Lit Like Bic.” In the video the duo of Swae Lee and Slim Jimmy head to South Africa for some fun and while they’re there they explore the beautiful country. Check it after the jump!

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Raekwon links up with Snoop Dogg for his F.I.L.A. (Fly International Luxurious Art) cut “1, 2 1, 2.” The visuals arrive a few weeks after the release of his new album and it’s convenient that Snoop’s new album BUSH is due out tomorrow. Check out the visuals now.

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Last night Kendrick Lamar threw the first pitch at the Los Angeles Dodgers’ game against the San Francisco Giants. Compared to Jack White’s pitch at the Tigers game last summer (and 50 Cent’s pathetic attempt at one), Kendrick did a pretty well. Read our review of his latest album, To Pimp a Butterfly here. Watch his pitch after the jump.

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A lot has been happening for the 22-year-old Chicago emcee as of late. For starters Vic Mensa performed with Kanye West on Saturday Night Live, delivering a hook on ‘Ye’s forthcoming “Wolves” track (set to appear on So Help Me God) followed by some turned up live performances with the man. The live performances were for a track entitled “U Mad,” which recently got released as a single. In addition, Mensa also signed with Jay Z’s Roc Nation recording label. That’s huge. So, yeah, evidently Mensa is doing quite well for himself on the mainstream end right now. Mensa also stopped by to team up with LA Leakers for an exclusive freestyle over Future’s anthemic Monster cut “Commas.” Check it out after the jump!

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“One Time for Hip-Hop” is the second single from rapper Laelo and producer Hec Dolo’s collaborative project entitled Deeper Than Plenty, Higher Than Most. On this record Hec Dolo mixes boom bap hip-hop drums, a thumping bass line and a timeless saxophone riff to formulate the perfect hip-hop beat. Lyrically, Laelo paints stories of his hustle and flow vividly on the provided canvas. No hook need. Just a dope beat and dope rhymes. Check out the visuals for “One Time for Hip-Hop” after the jump.

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